![]() All versions share a remarkably uncolored off-axis response – a great advantage, especially for in-ear monitoring on stage. The supercardioid pattern of the KMS 105 attenuates sound from the sides and the rear, which makes it optimally suited for loud stage environments. The KMS 104 and KMS 104 plus are coming with a cardioid pattern which perfectly attenuates sound from the rear the KMS 104 plus has a more prominent bass range and is especially optimised for female Rock and Pop voices. Go to the Neumann Pinboard and find the check box 'microphone dating'. From the eBay seller’s description: This is the original Neumann U87, serial number 21773. Best regards, Klaus Heyne P.S.: Neumann offers precise dating if you send them an e-mail. Three Versions for a Tailor-Made Solution U87 31628 was shipped on U87 32473 was shipped on Hope that gives you a clue. This uncolored high definition sound doesn’t only convince on stage, it also delivers reference class sound in the home studio for vocals, acoustic guitars, and brass instruments with superior elegance and transparency. This is the first type which was built between 1967-1986(no longer in production) It requires 48V phantom power and has the standard XLR plug. Due to their construction they capture the voice more vividly, with greater detail and a wider frequency response. Vintage Neumann U87 Microphone owned by Fleetwood Mac For sale is this Vintage Neumann U87 microphone. While live microphones usually operate with dynamic capsules, we designed the KMS series as “studio sound for the stage”.
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